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“... Scottish writers have been insisting on it for years. Adherents of a politics of language such as James Kelman and the poet Tom Leonard (actually the midwife of the Glasgow ‘renaissance’, though less frequently mentioned than his novelist colleagues) do not group together on exclusively nationalist lines: they see themselves as part of a school which has ...”

“... she said. “I thought maybe you were just another wop or something.”’ Twenty years earlier, James Weldon Johnson, a black man who served as American consul in Venezuela and Nicaragua during the Theodore Roosevelt and William H. Taft administrations, opened his novel The Autobiography of an Ex-Colored Man (1912) with the sentence: ‘I know that in ...”

“... I couldn’t get in touch with my feelings,’ Marlene Olive remarked one day after it was all over. ‘Lots of times I thought my dad was still alive.’ This must be deemed a serious failure of perception on her part, since with Chuck Riley, her teenage boyfriend and co-star in the true story of Bad Blood, Marlene murdered her parents in an act of astounding brutality ...”

“... reaches the bottom of its downward swing, the BBC send out Bainbridge to follow Priestley, and James Campbell records travels which were in the spirit, if not the footsteps of Muir. Why novelists? Perhaps because it is reckoned that they will give a human dimension to the changes documented in unemployment statistics and land-use maps. Connoisseurs of ...”

“... long history indeed – more than a thousand years of continuous existence, so far. This, writes James Campbell, is the defining contrast between England and the other great European states. Despite some redrawing of county boundaries in 1974, most of the administrative geography of England remains today much as it was in the tenth and 11th ...”

“... must be admitted); and the son of Angela Thirkell, the novelist of upper-class English life, and James Campbell McInnes, a man of working-class origins who became the foremost British lieder-singer of his generation. Unfortunately for this marriage of the muses and the classes, Campbell McInnes was also ...”

“... It may be an accident of rereading that makes me want to put James Baldwin’s essays and novels together, to see The Fire Next Time and Giovanni’s Room, for example, as versions of each other. But the matched books do make interesting sense: more thoughtful sense, perhaps, than the already powerful separate stories ...”

“... of William Blake intoning ‘Ah, Sunflower’ to him ‘like God had a human voice’. James Campbell, who introduces a note of irony into his reworking of twice-told Beat tales, refers to Ginsberg’s historic undergraduate illumination as ‘hand-held’ – perhaps an allusion to a key detail in what he had said to me: the fact that an act ...”

“... historians of Anglo-Saxon England – witness a Phaedon book, The Anglo-Saxons, edited by James Campbell (1982) – but the history of the period figures little in most school curricula. So far as the general public is concerned, it is only the archaeologists who have succeeded in striking a spark of interest. It would be hard, after all, to walk ...”

“... Paris figures in the titles of both James Campbell’s and Peter Lennon’s books, but this is a restricted, specialised Paris. Campbell takes us into something called the ‘Interzone’ (the term is odd, and troublesome), inhabited by assorted exiles, misfits and drop-outs during the Fifties and late Forties ...”

“... surprising, because they involve much the same authors. David Wilson contributes forewords to both James Graham-Campbell’s volumes, and James Graham-Campbell writes for David Wilson’s, while Christine Fell is, as it were, the religious affairs ...”

“... have never belonged to the living world, and lacking in the energy and discipline of his writing. James Methuen-Campbell, as the title of his biography of Welch implies, holds a higher opinion of the paintings; and one of the valuable features of his book is a detailed catalogue of them. His is certainly a sober and ...”

“... with more fillers than prizes. The best things are from the youngest contributors, such as James Campbell and Alan Hollinghurst, and the less youthful A.E. Ellis. Each here performs the same narrative trick, telling some resonant or portentous tale through more or less awkward or impercipient or blindly obsessive observers. In Hollinghurst’s ...”

“... makes that clear. It sensibly concentrates on the work of a few photographers in particular, James Jarché, Edward Malindinc and Reuben Saidman, who worked for the picture papers that supplied Britain with a serial documentary self-portrait. Their work was often reproduced in the interlocking boxes and circles of composite picture pages, and the ...”